http://rapidshare.com/files/119027026/thomas_fehlmann_-_visions_of_blah.rar.html
Saturday, May 31, 2008
Friday, May 30, 2008
Groove Armada-Goodbye Country (Hello Nightclub)
http://rapidshare.com/files/226040597/Groove_Armada_-_Goodbye_Country.rar.html
Description:
'Goodbye Country (Hello Nightclub)' is the third album fromdancefloor specialists Groove Armada. Featuring collaborations with Richie Havens and Jeru The Damaja, Groove Armada mix styles from laidback jazz to dancehall sounds.
Monday, May 26, 2008
Sunday, May 25, 2008
Air-Moon Safari
http://rapidshare.com/files/117529330/Air_-_Moon_Safari.rar.html
Decription:
Moon Safari, the first album proper by this pair of middle-class Frenchmen, easily survives unscathed from its billing as that most deadly of sub-genres: dinner party music. True, Moon Safari, with its blatant bliss-provoking easy listening chimes, sits well beside Everything But the Girl's Walking Wounded or Portishead's Dummy, but the album is steeped in too much musical verve and gallic humour to become as dull as Chardonnay. "Sexy Boy", the first single, is a rock-out slab of electronica about a toy monkey, for instance--hardly the thing to discuss in polite society. This album's highs come with their two marriages with the contributing vocals of American Beth Hirsch. "All I Need" and "You Make It Easy" are shockingly successful, with Hirsch bringing gravitas and sincerity, flagging the album with strong emotional pointers in the midst of their musical adventures. If you didn't know, you'd think her words were sampled from a lost jazz classic--that's how good this record sounds. --Charlie Porter (Amazon.co.uk Review)
Air-Moon Safari
http://rapidshare.com/files/117529330/Air_-_Moon_Safari.rar.html
Decription:
Moon Safari, the first album proper by this pair of middle-class Frenchmen, easily survives unscathed from its billing as that most deadly of sub-genres: dinner party music. True, Moon Safari, with its blatant bliss-provoking easy listening chimes, sits well beside Everything But the Girl's Walking Wounded or Portishead's Dummy, but the album is steeped in too much musical verve and gallic humour to become as dull as Chardonnay. "Sexy Boy", the first single, is a rock-out slab of electronica about a toy monkey, for instance--hardly the thing to discuss in polite society. This album's highs come with their two marriages with the contributing vocals of American Beth Hirsch. "All I Need" and "You Make It Easy" are shockingly successful, with Hirsch bringing gravitas and sincerity, flagging the album with strong emotional pointers in the midst of their musical adventures. If you didn't know, you'd think her words were sampled from a lost jazz classic--that's how good this record sounds. --Charlie Porter (Amazon.co.uk Review)
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Underworld-Underworld 1992-2002
http://rapidshare.com/files/117441042/Underworld_-_Underworld_1992_-_2002.rar.html
Description:
This two CD set brings together classic tracks from Underworld's back catalogue starting in 1992 when DJ Darren Emersonjoined Karl Hyde and Rick Smith's late eighties synth outfit of the same name. The album features the blend of Emerson and Smith's techno based production and Hyde's infectious vocals to create the unique sound that gave them worldwide recognition. The singles 'Cowgirl', 'King Of Snake' and the UK number two hit 'Born Slippy' are included. (Amazon.co.uk)
Underworld-Underworld 1992-2002
http://rapidshare.com/files/117441042/Underworld_-_Underworld_1992_-_2002.rar.html
Description:
This two CD set brings together classic tracks from Underworld's back catalogue starting in 1992 when DJ Darren Emersonjoined Karl Hyde and Rick Smith's late eighties synth outfit of the same name. The album features the blend of Emerson and Smith's techno based production and Hyde's infectious vocals to create the unique sound that gave them worldwide recognition. The singles 'Cowgirl', 'King Of Snake' and the UK number two hit 'Born Slippy' are included. (Amazon.co.uk)
Underworld-Second toughest in the infants
http://rapidshare.com/files/117349817/underworld-2nd_toughest.rar.html
Description:
Underworld's position in the budding electronic universe isunique: Each of its songs is as much a pop tune as a deftlysculpted rhythm track. Not the usual three-minute pop, but interwoven epics that develop over twice the length, using rhythms and loops rather than verses and choruses as buildingblocks. On SECOND TOUGHEST IN THE INFANTS (a nod to the hardships of sophomore outings), Karl Hyde, Rick Smith and Darren Emerson create a haunting new language built of dub, ambient, techno, jungle and rock textures, all set to a bass-heavy pulse. And even that fails to describe the dark, dreamlike atmospheres that the trio creates.First off, there arethe rhythmic overdoses. The opening "Juanita", clocking in at an epic 16 minutes, features layered, percolating percussion that rides an incessant techno throb down a highway intoa psychedelic sunset. "Rowla" takes a punky, distorted-beyond-repair keyboard loop and drops it in the middle of the dance floor, where it roars like the Tasmanian devil. Most unusual of all is "Blueski", a three-minute instrumental that slows the pace around a bluesy slide-guitar loop, evoking a late-night scene in a parallel universe. All these sounds areparts of Underworld's expansive domain, unified by the aforementioned pulse and the search for more of it. (Amazon .co.uk)
Underworld-Second toughest in the infants
http://rapidshare.com/files/117349817/underworld-2nd_toughest.rar.html
Description:
Underworld's position in the budding electronic universe isunique: Each of its songs is as much a pop tune as a deftlysculpted rhythm track. Not the usual three-minute pop, but interwoven epics that develop over twice the length, using rhythms and loops rather than verses and choruses as buildingblocks. On SECOND TOUGHEST IN THE INFANTS (a nod to the hardships of sophomore outings), Karl Hyde, Rick Smith and Darren Emerson create a haunting new language built of dub, ambient, techno, jungle and rock textures, all set to a bass-heavy pulse. And even that fails to describe the dark, dreamlike atmospheres that the trio creates.First off, there arethe rhythmic overdoses. The opening "Juanita", clocking in at an epic 16 minutes, features layered, percolating percussion that rides an incessant techno throb down a highway intoa psychedelic sunset. "Rowla" takes a punky, distorted-beyond-repair keyboard loop and drops it in the middle of the dance floor, where it roars like the Tasmanian devil. Most unusual of all is "Blueski", a three-minute instrumental that slows the pace around a bluesy slide-guitar loop, evoking a late-night scene in a parallel universe. All these sounds areparts of Underworld's expansive domain, unified by the aforementioned pulse and the search for more of it. (Amazon .co.uk)
Saturday, May 24, 2008
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